Sewing machine tariffs – revisited

I finally caught up on all the email that arrived while I was in Oregon last week. Apparently, Bernina has announced significant price hikes on all Bernina and bernette machines effective August 1st. They’re joining Janome, Brother and Baby Lock in hiking prices due to tariffs. My local Janome/Brother dealer raised prices 10-25% across the board a couple of months ago. Stopped in today after guild meeting (7/25) and was told the price on the Janome 9480 with ASR (very competitive), but was also informed prices would be going up again on 8/1. I questioned this as I know there’s inventory in the back that’s been there since last fall. The clerk responded it was a “business decision” that applied to all inventory, regardless of when received.

If you’re seriously in the market for a new TOL machine from a dealer, you may want to consider finalizing your purchase in the next week. The good news? Prices on more modest machines available through mass merchandisers such as Wal-Mart appear to be holding steady for now.

What’s a fair price to pay for a sewing machine? Only you can decide. Check eBay, Check FB Marketplace. Check patternreview.com. My personal rule of thumb? The sweet spot for a new machine is about 65% of the suggested retail price (less if you can get it). For a machine that’s used – no more than 50% of the MSRP for a current model. Classroom machines from consumer shows should have every option available and carry the full manufacturer’s warranty that a new machine would have.

Am I ready to move on the purchase of a Janome 9480? Absolutely, but not at $1000 more than what the same damn machine (still sitting in the backroom at my local dealer) was selling for last fall.

No thanks, I’ll pass. I can wait. Maybe I’ll get to the point where I don’t need a stitch regulator for FMQ on a domestic machine.

Make time to travel

Picture of Mount Hood taken at Panorama Point, Oregon

Once Quilt Camp was over, we packed and headed out west to explore places long on my travel bucket list – the Columbia River Gorge, Mt. Hood, Astoria and the Pacific Coast Highway. It was an incredible seven days. We flew into Portland (PDX), but didn’t spent much time in the city. What little I did see of downtown Portland was typical of any other large city – meaning I’d avoid the downtown area and shop/stay in the suburbs.

Our journey was basically one large loop – Hood River, The Dalles and back over to Astoria, following the Pacific Coast Highway as far as Newport, then over to Corvallis with a stop in Salem before heading back to Portland. Things we liked best: National Neon Sign Museum in The Dalles, Western Vintage Auto & Air Museum in Hood River, Columbia Gorge Maritime Museum in Astoria, Latimer Quilt & Textile Museum in Tillamook (just up the road from the Tillamook Creamery), Evergreen Aviation & Space Museum in McMinnville and the Deepwoods House & Gardens in Salem.

Vacation souvenir from Fiddlesticks Quilt Shop in Vancouver, WA.

Oregon has no state sales tax, plus had great end of season sales, so we did some much needed shopping at the only full-fledged Eddie Bauer retail store in the state. At Montavilla Sewing Center, I also found the left bi-level 9mm foot for my Janome 8900 that none of the 3 Janome dealers near me had. While there, I also asked for a price quote on the Janome 9480 with the ASR. Extremely competitive, but as this model’s now been available for over two years, I expect prices will drop again soon.

Our last day/night was spent in Vancouver, Washington – just across the bridge from the Portland airport. This also the home to Connecting Threads, in case you receive their quilting catalog in the mail. We thoroughly enjoyed dining out on the patio at the The Cove and walking the along the river trail. I also visited the lone quilt shop of our trip – Fiddlesticks Quilt Shop where I purchased all the fabric needed for the upcoming Giant Dahlia class with Michelle Yeo.

Are you familiar with The Country Register? It’s a national publication focusing on individual states or regions. A number of quilt shops, textile museums and craft events have printed copies available. I always like to pick up a copy whenever I travel. When browsing through the Oregon, Washington, Idaho edition, I noticed that Michelle Yeo is also teaching at a shop in Oregon the week after she’s with my guild in Atlanta. I didn’t fully appreciate how much my guild subsidizes the cost to bring teachers to us until I saw the fees to attend the same class in Oregon.

Make time to travel – it forces you outside your comfort zone and allows you to experience new sights, sounds and tastes that you probably won’t experience at home. Dining al fresco on the waterfront of the Columbia River and enjoying huckleberry jam on my toast are two things that come to mind. Well, a jar of huckleberry jam did make the trip home with me.

Finding inspiration

Last month, my quilt guild presented a program on quilts from the late 1800’s to the 1950’s. This particular 1930’s quilt spoke to me. Not sure if it’s because of the the green background fabric or the prairie point edging, but I now have an idea on how to possibly enlarge the Vintage Windmill quilt to fit a queen size bed.

Speaking of Vintage Windmill, this quilt required more planning and prep work than most throw size quilts I’ve made. However, constructing the half-hexie units has been much easier due to said planning and prep work. I’m about 2/3 of the way done. The half hexies will be arranged in columns and sewn together to make the top. Once the top’s complete, I’ll decide about adding extra borders to increase the quilt’s overall size. Quilting will be simple: a large double loopy meander is the quilting design I keep coming back to, especially if adding borders.

I’ve been combing through my machine quilting design books to look for new no – mark FMQ designs to add to my everyday repertoire. I’ve got several versions of the loopy meander down (plain, double loops, hearts, stars and flowers). Recently, I tried one of the more angular boxy meanders that had previously given me fits. Teen size flannel blankets made for a special collaboration with the local school district provided the perfect opportunity to practice. Bonus: the Military Gold Glide thread used on my niece’s quilt also blended well with the first one. Now, to do a similar, but larger scale, boxy meander on the other flannel blanket!

Where do you find inspiration for your creative pursuits?