Be your own designer – start simple

Round potholder – first attempt at using Adobe Illustrator to create pattern templates. Note to self – need to raise and soften curve of pocket piece.

My kitchen is in dire need of new potholders. Thanks to home and car insurance renewals this past month, I’m going to have DIY if I want new ones. I already have all the materials, including the heat resistant batting, in my sewing room. For inspiration, I headed to Pinterest. I kept seeing a really cute round potholder with a pocket and hanging loop. All of pins directed me to various blogposts, which in turn redirected me to purchase a pattern for $10.95. No thanks. I’ll try drafting my own. While I used Adobe Illustrator to create my 8″ circle and pocket piece, you do not need a computer to draft your own pattern templates.

There’s an old-school, analog method for drafting your own patterns. It involves pen, paper, a ruler and usually something round. A round potholder is 8″ in diameter. Head to your kitchen: a luncheon plate is usually 8″ in diameter. Or try the lid to a large pot, a mid-size skillet or a 2-2.5 quart round casserole dish. Your lid can be a little under/over 8″.

You’ll need two circles – one circle per page. I traced around a luncheon plate to make my circles.

Cut out one of the circles. Leave the other circle intact (as a full-sheet of paper). Fold each circle in half lengthwise and make a crease along the fold.

On the full-sheet circle, place a ruler along the crease and make a mark approximately 4.5″ from the bottom. Place the cut circle on top of the full-sheet circle. Align both circles along the crease. Slide the cut circle up until the bottom of that circle meets the mark you made at the 4.5″ point on the other circle. Confirm that your creases are still aligned all the way to the top (fold down the top circle a bit to check). Trace the bottom of the circle to form the top arc of the moon shaped piece that will be the pocket template for your round potholder.

Cut out your moon shaped piece. You should now have two pattern templates.

What else do you need per potholder?

  • (4) 9-1/2″ squares of coordinating fabrics
  • (2) 9-1/2″ squares of Insul-Bright or Insul-Fleece
  • (2) 9-1/2″ squares of cotton batting
  • (1) 2-1/2 x 5-1/2″ strip for hanging loop (optional)
  • Approximately 45″ of 2-1/2″ bias binding

Basic construction notes:
a) Make 2 quilt sandwiches – one for the main body and one for the pocket. Include a piece of Insul-Bright/Insul-Fleece and a piece of cotton batting in each sandwich. Quilt as desired – a 1″ grid is commonly used in kitchen textiles.
b) Cut out the body and pocket pieces using the templates you drafted.
c) Add binding to curve of pocket piece using your preferred method.
d) Place pocket piece on top of body, align and baste in place.
e) Make hanging loop, fold in half and baste in place at center top on front or back of potholder.
f) Attach bias binding back to front and sew down – this video will be VERY helpful.
g) Flip up the hanging loop and stitch in place to secure (optional).

Here’s a helpful tutorial for an oval shaped potholder, but it’s essentially the same as for a round potholder with a pocket.

Helpful hints:
– Use a longer stitch length (3.5 mm) when quilting and topstitching.
– A left bi-level foot (or quilt binding foot) will help keep topstitching uniform when applying binding back to front.
– If the binding has a difficult time turning to the front and providing enough coverage, try grading the seam allowance along where the pocket and body are sewn together.

Live life on your own terms

You only have one life. Live it to the fullest. Stop trying to meet other people’s expectations at the expense of your own peace. It’s not sustainable. Quit worrying what other people think. The only person you need to answer to is yourself. Did you do your best? Are you happy/satisfied? Did you leave things a little better than you found them today? For me, this is what truly matters.

We’re encouraged to “do our thing” while various well-meaning folks proceed to tell us what they think we should be doing instead. It’s a no-win situation with these people. The best way I’ve found to deal with it is to limit any information shared, maintain a healthy distance and keep on doing my thing.

My retirement “thing” is constantly evolving. Therapy dog work and quilting are still the main activities, but they, too, have changed over the past 3 years. I truly enjoy the read to a dog program that finally got established at Park Street School earlier this year. Sadie definitely thrives on having 1-2 visits per week. Should the school-based READ program suddenly go away (not expecting it to, but things can change on a dime), there are plenty of other visit opportunities available. As next summer’s big quilt show gets closer, my involvement as a committee chair will certainly increase. I’m in the midst of planning those activities now. Rest assured, I’m engaged, learning new things and doing what I love to do.

Mid-August brings a return to therapy dog activities, new private sewing students and classes at the SQTM. I’ve had two referrals about memory quilts in recent weeks. Spent some time today running the numbers to see what services I could offer that make cents for me. 3 sizes: baby, lap or throw. 3 pattern choices: grid, mosaic or stacked columns. 3 FMQ designs: puzzle meander, loopy meander or boxy meander. Binding sewn by machine. Lots of infant items = extra charge. Personalization w/applique or embroidery = extra charge. By concentrating on smaller size quilts that work with my studio space and equipment, I can be competitive and profitable – at least on paper anyway. We’ll see what happens.

Photo by Brett Jordan on Pexels.com

Finding inspiration

Last month, my quilt guild presented a program on quilts from the late 1800’s to the 1950’s. This particular 1930’s quilt spoke to me. Not sure if it’s because of the the green background fabric or the prairie point edging, but I now have an idea on how to possibly enlarge the Vintage Windmill quilt to fit a queen size bed.

Speaking of Vintage Windmill, this quilt required more planning and prep work than most throw size quilts I’ve made. However, constructing the half-hexie units has been much easier due to said planning and prep work. I’m about 2/3 of the way done. The half hexies will be arranged in columns and sewn together to make the top. Once the top’s complete, I’ll decide about adding extra borders to increase the quilt’s overall size. Quilting will be simple: a large double loopy meander is the quilting design I keep coming back to, especially if adding borders.

I’ve been combing through my machine quilting design books to look for new no – mark FMQ designs to add to my everyday repertoire. I’ve got several versions of the loopy meander down (plain, double loops, hearts, stars and flowers). Recently, I tried one of the more angular boxy meanders that had previously given me fits. Teen size flannel blankets made for a special collaboration with the local school district provided the perfect opportunity to practice. Bonus: the Military Gold Glide thread used on my niece’s quilt also blended well with the first one. Now, to do a similar, but larger scale, boxy meander on the other flannel blanket!

Where do you find inspiration for your creative pursuits?